Performance Reviews

Nathalia Arja – MCB’s War Girl and New Principal Soloist ― Performance Reviews ―

What to Expect at the Mainly Mozart Finale ― Performance Reviews ―

Miami City Ballet’s Lincoln Center Debut: A Warm New York Welcome ― Performance Reviews ―

Performance of Living Traditions Essence of Miami Open Stage ― Performance Reviews ―

Dancing Through Jewish Exodus and Survival ― Performance Reviews ―

Ryan McNamara’s Internet Ballet: An Essay ― Performance Reviews ―

Ryan McNamara Reenacts an Internet Ballet For Art Basel ― Performance Reviews ―

MCB’s Open Barre: A Better Way to Teach Art ― Performance Reviews ―

‘Tango Undressed’ Unleashed from Tango Cliches ― Performance Reviews ―

Part II Interview with MCB’s Kronenberg: Media and the Dancer’s Body ― Performance Reviews ―

Part I: Conversation with MCB’s Jennifer Kronenberg ― Performance Reviews ―

Part III Interview With MCB’s Jennifer Kronenberg: Women and Ballet ― Performance Reviews ―

Rebecca King Interview Part III: Ballet and Social Media ― Performance Reviews ―

Rebecca King Interview Part II: Ballet and Social Media ― Performance Reviews ―

Miami City Ballet’s ‘Nutcracker:’ Not Just For Kids ― Performance Reviews ―

MCB: ‘Face to Face and Body to Body’, Program II 2016 ― Performance Reviews ―

MCB’S Rebecca King Interview Part I: Ballet and Social Media ― Performance Reviews ―

Che Malambo: Some Hard-Driving, Lasso Whipping Dance from the Pampas ― Performance Reviews ―

MCB’s Open Barre Helps Interpret Midsummer’s ‘Dream’ ― Performance Reviews ―

MCB’s Simone Messmer, Whatever It Takes, Part I ― Performance Reviews ―