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Performance Reviews
Nathalia Arja – MCB’s War Girl and New Principal Soloist
― Performance Reviews ―
What to Expect at the Mainly Mozart Finale
― Performance Reviews ―
Miami City Ballet’s Lincoln Center Debut: A Warm New York Welcome
― Performance Reviews ―
Performance of Living Traditions Essence of Miami Open Stage
― Performance Reviews ―
Dancing Through Jewish Exodus and Survival
― Performance Reviews ―
Ryan McNamara’s Internet Ballet: An Essay
― Performance Reviews ―
Ryan McNamara Reenacts an Internet Ballet For Art Basel
― Performance Reviews ―
MCB’s Open Barre: A Better Way to Teach Art
― Performance Reviews ―
‘Tango Undressed’ Unleashed from Tango Cliches
― Performance Reviews ―
Part II Interview with MCB’s Kronenberg: Media and the Dancer’s Body
― Performance Reviews ―
Part I: Conversation with MCB’s Jennifer Kronenberg
― Performance Reviews ―
Part III Interview With MCB’s Jennifer Kronenberg: Women and Ballet
― Performance Reviews ―
Rebecca King Interview Part III: Ballet and Social Media
― Performance Reviews ―
Rebecca King Interview Part II: Ballet and Social Media
― Performance Reviews ―
Miami City Ballet’s ‘Nutcracker:’ Not Just For Kids
― Performance Reviews ―
MCB: ‘Face to Face and Body to Body’, Program II 2016
― Performance Reviews ―
MCB’S Rebecca King Interview Part I: Ballet and Social Media
― Performance Reviews ―
Che Malambo: Some Hard-Driving, Lasso Whipping Dance from the Pampas
― Performance Reviews ―
MCB’s Open Barre Helps Interpret Midsummer’s ‘Dream’
― Performance Reviews ―
MCB’s Simone Messmer, Whatever It Takes, Part I
― Performance Reviews ―